Showing posts with label Malcolm Fraser. Show all posts
Showing posts with label Malcolm Fraser. Show all posts

Thursday, 13 January 2011

Shadowplay

http://www.draculas.info/dictionary/definition_of_nospheratu-16/

If every book needs an opening para which hooks the reader in, then every blog requires a striking picture. I thought that posted above abundantly 'fit for purpose'.

When viewing the videos below I had a niggling feeling of familiarity; then it came to me.

There of COURSE any resemblance ends as I couldn't POSSIBLY compare the movie of architect Malcolm Fraser giving a lecture to council members and planners of Edinburgh with the 1922 movie Nosferatu  (although the latter possibly had higher production values) and naturally I have not increased the household supplies of garlic to any significant extent. No sireee.


Image courtesy of www.sporeflections.wordpress.com


Thought these needed wider publicity as in the main a great deal of what Malcolm says I agree with (and vice versa?)  and mostly have touched on (see selection below*) in this 'ere blog before:

  • the madness of VAT inequality on zero rated new build v repair/re-use, which attracts the full 20% ;

  • the infuriating barminess and loss of industrial & transport heritage of the permission given for demolition of the Cat B listed Madelvic factory in Granton by the City of Edinburgh Council, which could & should have been re-used;

  • sustainability not always about high tech solutions which are complex, off putting for many, and may not recoup the outlay;  see Scottish Housing Expo posts, also the MFA 'people's choice' winning house design (you read it here first...). Sustainable design should be big on re-use of what we have, excellent insulation, natural ventilation, and use of sustainable materials (another plug for  timber & zinc);

  • architects should be designing for the 21st century without recourse to slavish copies of the past, with sensitivity to context;

...and no doubt other stuff besides (RMJM, and er.. RMJM... oh and Mr Duany...)


The Whitecross development, winner of the recent government Scottish Sustainable Communities Initiative competition, which Malcolm Fraser Architects won, against stiff opposition, was the reason for this lecture, though Malcolm clearly took the opportunity of a captive audience for a wee rant (I mean that in a good way) about a number of issues.

http://www.malcolmfraser.co.uk/projects/?contentid=415&parentid=251

I hope those attending listened.

So here it is! Malcolm Fraser: The Movie (in three parts, so you can have an ice cream AND a popcorn break):










*Here's that staircase scene from 1922:




Most  of the movie is here:


http://www.youtube.com/watch?v=rcyzubFvBsA


Enjoy!

Nem

*
http://www.malcolmfraser.co.uk/

http://nemesisrepublic.blogspot.com/2010/05/angry-men-crap-housing-our-cash-vat.html

http://nemesisrepublic.blogspot.com/2010/02/elizabeth-pascoe-is-finally-evicted.html

http://nemesisrepublic.blogspot.com/2010/01/seeing-red.html

http://nemesisrepublic.blogspot.com/2010/04/dont-destroy-madelvic-factory.html

http://nemesisrepublic.blogspot.com/2010/08/scottish-housing-expo-2010-inverness.html

http://nemesisrepublic.blogspot.com/2010/10/sustainable-housing-sustainable.html

http://nemesisrepublic.blogspot.com/2009/12/old-new-towns-new-old-towns.html

http://nemesisrepublic.blogspot.com/2010/09/duanyising-britain.html

Sunday, 24 October 2010

Samara in Danger still, St Petersburg & Gazprom update...



... and news of a UK conference on Architectural Preservation in Russia, see below.  

UPDATE: Rowan Moore in the Observer on RMJM, Fred Goodwin, and Gazprom (Okhta) Tower


21st November 2010

Last November I posted a  blog post, From Russia With Love Part 2  outlining the dangers to Samara, and drawing to the attention of readers the launch of a new joint MAPS and  SAVE Europe's Heritage publication about what was happening in that city to destroy its heritage. It made uncomfortable reading, especially the murders of architects and planners.


An extract:

FIRST EVER INTERNATIONAL REPORT ON THREATS FACING RICH ARCHITECTURAL HERITAGE OF RUSSIAN CITY OF SAMARA.



World-launch of the new MAPS/SAVE Europe's Heritage, Samara: Endangered City on the Volga, will take place on 18th November at Pushkin House, London.

This report is the work of a panel of Russian and international experts, and is the first of its kind to tackle the problem of the loss of architectural heritage in the Russian provinces.

The city stands on the banks of the Volga, some 400 miles south east of Moscow. It is home to a wealth of styles from wooden houses with finely carved window frames to, neo-classical, art nouveau, constructivist, industrial and post-war buildings. It is a major Russian city, closed to the West under Communism when it was called Kuibyshev. It was also the city to which Moscow evacuated during the Second World War.

Since the fall of Communism, corruption in Samara has led to the uncontrolled demolition of huge areas of the city, including its delicate system of courtyards. There is massive new construction and planners and architects have been murdered, such is the greed for land and property. Approximately one third of the old city has been destroyed. The report was initiated due to the immediate threat hanging over a Factory Canteen of the Constructivist era, which has a ground plan in the form of a hammer and sickle...

I am pleased  Rowan Moore, architecture writer for the Observer newspaper, has today published an article about his visit to the city, and the continuing problems. Here it is and with it a good gallery of new photographs:

http://www.guardian.co.uk/artanddesign/2010/oct/24/samara-wooden-city-architecture-review


 Please read. 

Please order the book via SAVE


Another view on the Observer article


Here is the excellent chtodelat news (linked to with latest updates on the blog list right) on the Factory Kitchen in Samara, see Rowan Moore's article, built in the shape of  a hammer and sickle:


Where to begin with an update on St Petersburg, RMJM, and the ghastly threat of the Gazprom / Okhta Tower on the World Heritage Site?

Last week, the Irish Times:


and Building Design (via Architectural Record):


Regular readers of this blog will know my opposition to this and I have tried to post relevant news when I can.

A selection of past posts:
Sept 2009

Sept 2009

Oct 2009

A site search will reveal more, and here's a snippet from this post:

Those who really don't give a fuck... and those who do:


Anonymous said...


I was quite close to (a few desks away from) this project as it was being designed - the main (nay, the only) idea that went into it was a slight twist to the tower. Why? Not in reference to the dialectical torsion of Tatlin's tower, oh no, but merely because they'd seen some twisted towers in the latest Blueprint or whatever and thought that they looked pretty snazzy, so might as well rip em off...

So RMJM, what answer have you?


Another snippet from that post (December 2009):

Recently an e-mail pinged into my inbox from St Petersburg, bearing the latest news on the RMJM Gazprom (Okhta) Tower, which is already causing destruction of important archaeology and encountering a great deal of heroic opposition. I have posted a number of times about this, and so won't repeat it all here, simply to point to past posts, describing the violence inflicted on protestors by hired thugs, the manipulation of law and public policy and the apparent unwillingness of RMJM's Tony Kettle to engage with any issues other than the ones which will bring about the desired result for his architecture firm.

The status of St Petersburg as a World Heritage Site is at risk, and there is no doubting UNESCO's deep concern. However, as with Liverpool, Bath and Edinburgh in the UK, and of course Dresden, whose Elbe Valley was struck off the World Heritage list this summer over the building of a particularly brutal bridge and the unwillingness of those responsible to consider any compromise, those who put such status at risk, or bring worries that such status isn't high on the priorities of those who should care more, appear unable to consider that there are always alternatives. Short termism and large egos, blinkered city officials aided by elected representatives with motives which at times seem far removed from the real needs of World Heritage cities and their residents, the desire for fat profits... and Philistinism... all are part, and more besides, of the root of the difficulties. Yes, it's complex, each city will tell you they have to move on, silly phrases about 'setting in aspic' and 'economic development' will be spouted, and those who try to urge caution and work for a better solution are always derided as wishing to hold back 'progress'.

Here from 2009 is Tony Kettle's 'justification' for the Gazprom Tower, as reported in the Architects' Journal:

http://independentrepublicofthecanongate.blogspot.com/2009/09/rmjms-gazprom-tower-in-st-petersburg.html

UNESCO should realise that special sites require a special architectural response, says Kettle

I have been pretty clear in the past about my views on UNESCO’s intervention in RMJM’s Okhta Centre project for Gazprom in St Petersburg, Russia. The plans we have drawn up are for one of the world’s tallest buildings in one of the world’s most horizontal cities, where only special buildings are allowed to break the grain.

These special buildings include 30 churches, the Peter and Paul Cathedral, the Admiralty and the TV tower (which is the height of the Eiffel Tower). Each is special in its own right. A city needs a hierarchy of buildings so that the ordinary and the special work with each other. If every building attempts to be special, then they will all become ordinary; so there needs to be a good reason for a building to be out of the ordinary.

The issue of energy is the central concern of our time and Gazprom, as the largest supplier of energy in eastern Europe, is one of the reasons for Russia’s wealth and rebirth, putting it into the ‘special’ category.

The Okhta Tower must symbolise rebirth for Russia and the city of St Petersburg, while demonstrating that an innovative, low-energy building is possible in the extremes of the Russian climate. UNESCO has never disputed the quality of the design, nor the fact that the tower sits some 6km from the historical centre. But it feels it cannot allow one project to break the city’s height limits, potentially opening the gates to a ‘free-for-all’ of new development in the city. In this case, there is no latitude in its thinking, no allowance made for creation of the ‘special’.

There is more arguing for development, this time in his home city of Edinburgh,  see link, but that gives a flavour.

Well, it just shows if you are making enough cash you can justify anything. RMJM of course gave Sir Fred Goodwin a well-paid job following the banking crash, of which many feel he was in part the architect.

Here's Malcom Fraser on that subject:

http://www.ianfraser.org/goodwins-appointment-reveals-how-nothing-has-been-learnt-from-crash/

Goodwin’s appointment reveals little has been learnt from the crash


January 24th, 2010

The news that the disgraced former chief executive of RBS, Fred Goodwin, has been given a berth at architecture firm RMJM is strangely delicious, like hearing the school bully, who is still treated with respect by too many, has turned-up wearing a BNP badge.

RMJM are, to me, already the epitome of what the ruling business establishment wants from “architecture”. They represent architecture as pure business model, with its crafts base and ethical sense subservient to the business interests of its corporate clients and its production line outputs glammed-up by high-art marketing -– RMJM have already provided a home for architectural “terrible enfant” Will Alsop’s celebrity shape-making bling.

There was a wonderful symmetry to this RMJM/Alsop dream-teaming, and I thought it lacked nothing until I heard this. Of course! What was missing was the application of some neo-liberal financial speculation, leading to proposals for an excitingly-whacky Dubai Formula One business center in every town …

What a fine exemplar of our failure to learn from the 2008 crash, and our monumentally daft hubris over our relationship to our built environment and the world as a whole -– oh, how I tire of those who tell me that “we just need the confidence back”!

So while my heart goes out to my friends who work down the mine at RMJM, and I fear for the application of the RBS business model and the final trashing of a once-great company, I do so enjoy the brazen effrontery of it -– it’s helpful to get these things out in the open.

I’ll try not to think what might happen in the second great crash -– will I have to pay vast RIBA subscriptions to bail out Alsop’s pension.

Instead, I’ll enjoy the sight of turbo-capitalism (on stilts!) eating itself.

Malcolm Fraser is founder of the Edinburgh-based Malcolm Fraser Architects

Well, a great deal has happened in the intervening months, although the World Heritage Committee did not put St Petersburg on the In Danger list at its meeting this summer despite its strongly worded objection to the tower which is on record*.  However,  the tower had not been granted final permission at that point which could be an explanation.

There were reports in the press last week that permission has now been granted, although naturally this is not the end of the matter and the pressure on the Russian authorities to not allow the desecration of the St Petersburg World Heritage skyline is being stepped up by activists in Russia and beyond. It is rumoured that the Russian authorities are trying to have the WHS boundaries redrawn to exclude the area in which the Gazprom Tower is to be built; in or outside the boundary will not, however, prevent the skyline being spoiled, and the archaeological destruction which has already begun on the site.

 Edinburgh activists saw off the threat to the World Heritage Site skyline by the Haymarket Tower, situated outside the WH boundary, and it gives some small hope for St Petersburg.

However, although political shenanigans and planning is nothing new to Edinburgh, naturally it all pales beside the goings on in Russia.

Last week I heard from a friend in St Petersburg, and I feel this latest news deserves a wider audience. I therefore post here an edited extract from an e-mail, there is nothing quite as good as hearing from those closely involved in the struggle first-hand:


It's not all as simple and straightforward as the BD article (most of which has just been copy-pasted from Sergey Chernov's article about the rally in the St Petersburg Times) makes it seem.

Although they got one thing right: Glavgosekspertiza is "understood" to have issued the positive ruling only because  Vladimir Gronsky (the prototype for the main character in the Chto Delat film) and his PR team at the Okhta Center company immediately began braying about the decision (and well before Saturday), but as far as I know, no one at Glavgosekpertiza itself has confirmed this news.

Meanwhile, the culture minister, Avdeev, stated that if such a decision was taken, it was "technical" -- that is, it doesn't address the "political" and/our conservation aspects of the project. Avdeev again expressed his opposition to the tower in the wake of this alleged decision.

People in the anti-tower coalition are tentatively planning legal challenges against the decision because they suspect that it didn't address the historical preservation question (as, apparently, it should have).

By the way, the rally wasn't a response to the decision: it had been planned in advance, although some of the organizers suspected the decision might be issued round the same time.

The Irish Times piece... is much closer to the truth, although I suspect that their reporter doesn't understand just how close. First of all, just last week, Medvedev finally made a direct statement (i.e., not via press secretaries) that in its own roundabout way did suggest he was opposed to the tower.

http://en.rian.ru/russia/20101012/160928504.html

But this is just a reiteration of Medvedev's previous, much more carefully mooted stance. The really interesting thing is a revelation made by Anton Glikin, a Russian-born, US-based architect (I recall he had an essay in that pamphlet on historic preservation in Petersburg that MAPS published), during a series of lectures on the topic that he gave last week in Petersburg. During the Q&A after one of the lectures, Glikin recounted a conversation he'd recently had with an unnamed architect at RMJM in London, who allegedly told Glikin that all along they've been receiving secret memoranda from Putin telling them not to worry, that the tower would be built, etc.

A reporter from the local business daily Delovoi Peterburg was there and filed this article:

http://www.dp.ru/a/2010/10/14/Putin_shlet_sekretnie_memo

Here is my translation of the relevant passages (the first three paragraphs) from this article:


"Vladimir Putin every month sends secret memoranda to the architectural firm RMJM London containing his commentary on the Okhta Center project," American architect Anton Glikin publicly announced during the architectural conference "New Architecture in the Center of Petersburg," which took place the other day in the House of the Architect in Petersburg.

According to [Glikin], he was informed about the premier's close attention to the skyscraper project by an architect at RMJM London (the designers of Okhta Center) during a recent face-to-face meeting in London. Such claims about the premier's passion for the project are especially curious in the light of Russian Federation president Dmitry Medvedev's recent statements about Okhta Center.

During the conference [...] the issues of the Okhta Center project and the architectural look of Petersburg as a whole provoked a lively discussion amongst architects and government representatives. "The Okhta Center project is being lobbied by the high authorities, and KGIOP [Municipal Committee for State Monitoring, Use and Preservation of Monuments] supports it," said Anton Glikin in yet another blunt claim. "Under the committee's leadership, a massive destruction of the urban environment is taking place."

Now  "on the record" (as opposed to in his secret memos to RMJM) Putin has stated time and again that it's up to the local authorities to decide ("in accordance with the law") whether to build the  tower or not. Not that anyone in their right mind actually believed this, however. So if you have any journalists you'd like to "leak" this to, or if you'd like to post it on your own blog or the WHC discussion board, go right ahead....

So I have. And if anyone reading this would like to know more. my e-mail is on my profile.

My friend continues:

Even without WHS, Petersburg should be protected by any number of local and federal laws, as well as federal and municipal protection agencies like ... KGIOP. Instead, the city is being destroyed, often in violation of these laws and most always with the blessing of city authorities, including KGIOP officials. So WHS is actually not a "last ditch" defense against anything at all.

This is the problem with "international law" in general. If it is to mean anything, it has to be enforceable in some sense. Or, at least, there has to be some way of punishing state parties who violate it, if only by excluding them from the bodies organized to monitor observance of these laws. Russia is hardly alone among the violators, of course, but the "constructive engagement" approach often just leads to violators' being able to maintain a veneer of respectability while continuing to engage with perfect immunity in the offensive practices back on the home front.

... By not acting more vigorously, Unesco is complicit in the destruction of Petersburg. It actually has nothing to lose by stating unequivocally that the city will be stripped of WHS if the tower is built. This would not "free the hands" of developers and corrupt bureaucrats to engage in even more destruction, because as it is they do more or less as they please.

Here are three tiny, current examples to back my case.

Yesterday, Living City and other coalition members held a rally against the planned demolition of the so-called Jurgens House, a residential building constructed in the 19th century by Emmanuel Jurgens, a very prominent and prolific architect of the period. A "developer" got hold of the building a few years ago, and as in so many other cases of this sort, they got the necessary "expertise" from the ... Tatyana Slavina Architectural Bureau (who specialize in this aiding and abetting of destruction) -- the building (of course!) was "dilapidated" and could thus be demolished to make way for a six-storey office building with underground parking. (it's no different in this country... Nem)

Journalist Sergey Chernov has a photo reportage from the rally here:

http://sergey-chernov.livejournal.com/542188.html

What you might find of interest among the photos there are the images of the info stands Living City set up for the event (although you won't be able to read them). One is entitled "Охранные зоны: кольцо сжимается" ("Preservation zones: the ring is closing"), which shows the effects of the new preservation laws lobbied by KGIOP and passed by the city in 2009/2010. Basically, these new laws already constitute violations of the city's WHS, and as the explanatory text notes, the WHC has allegedly rejected this attempt at "renomination" of the city (has it?) via this shrinking of the protected districts.

After the rally (held in Mayakovsky Square), the demonstrators headed to the Jurgens House itself, which you see in the final shots in Sergey's post. Yes, it looks awfully modest, but it's the hundreds and thousands of buildings like this that make Petersburg Petersburg, not just the spectacular palaces. In local parlance, they're called "rank-and-file" or "background" architecture, but you get rid of them and you get rid of Petersburg.

And as Living City makes perfectly on the text of the stand, by all rights they should be protected. But in real life they aren't.

Here is another case that typifies how the city is being destroyed while the bureaucrats stuff their wallets. This is from the blog of Dmitry Ratnikov, a journalist from the newspaper Sankt-Peterburgski vedomosti and runs the invaluable Internet-newspaper Karpovka.Ru, which is a fairly dense chronicle of news on the topic (Ratnikov often breaks stories that everyone else would have missed this way):

http://dsropen.livejournal.com/610578.html

Here he's bringing attention to the fact that (probably illegal) mansard storeys are being built onto the Ziegel clock factory, a truly lovely (and unique) turn-of-the-century brick complex not far from our house. This sort of "mansardization," as it's called, is going on at a feverish pace in the central districts. It is a way for developers to get round the slightly thornier task of demolishing buildings to make way for new construction. However, it has become such a plague that local legislative deputy Alexei Kovalyov (one of the activists of the famous "Salvation Group" from the early perestroika period) has recently sent an official inquiry to the city administration, asking them to explain how so many permits have been issued for such construction, which in most cases also violates preservation and zoning laws.

Finally, after destruction of or "improvements" to old buildings, we have the plague of infill construction, especially in allegedly protected parks and squares. Here is a short report on TV100 about the Lopukhinsky Garden where the battle is apparently lost. One of the city's most notorious development companies, RBI, led by ...Eduard Tiktinsky (quoted on camera in the report; he once famously suggested that the problem with green spaces in the city could be solved by building "gardens" on the tops of new buildings). They somehow got hold of a big chunk of the Garden to build a high-rise hotel. Unfortunately, the resistance in the neighborhood boiled down only to several flashy public actions. It was left to the Norway-based environmental organization Bellona (which has a branch in Petersburg that became famous in the nineties when its then-director, Alexander Nikitin, was arrested for "espionage" for reporting how Russia was disposing of its scrapped nuclear subs in the Murmansk region) to file a last-minute court challenge against the project because no one else could be bothered to do it for some reason. Last week, the court ruled against Bellona. So now TV100 has presented the horror that will ensure in the garden as fait accompli.

http://www.tv100.ru/video/view/38888/

Also at issue here is the old rowing and boating club that has its facilities on the river that runs along one edge of the park.

My point is that one could multiply these examples in four categories -- destruction of old, allegedly protected buildings; "reconstruction" (including "mansardization") of old buildings, which also violates preservation laws; infill construction in parks and squares (also mostly illegal); and construction of high-rises that violate either zoning laws per se and/or the WHS, which also protects the historic skyline -- and thus make an ironclad case against city officials without even once referencing the Okhta Center project. "Vigorous" opposition has in part crystallized round the tower only because everyone realizes that if it is allowed to be built, that will mean certain doom for the city. Which is being destroyed as it is.

Not cheering news, and for those with an interest here is news of a forthcoming conference in the UK on the subject of architectural preservation and destruction in Russia. Speakers include Dr Glikin, see above.

Global Aspiration and Pastiche Identity: Architectural Preservation in Russia



Inter-disciplinary conference, to be held at Queen Mary, University of London on 6-7 November 2010, Mile End Road, Arts G34.


Since the collapse of the Soviet Union, major Russian cities have been undergoing rapid development, which has led to unprecedented destruction of the architectural heritage. Owing to the practice of replacing historical buildings with modern structures built in concrete and disguised by a mock facade in historical style, the cityscape of the Russian capital increasingly looks like a theme park. This conference convenes an international group of academics and preservationists to investigate the historical context of this crisis, examine current practices, and identify opportunities for future action. It is hoped that through an inter-disciplinary dialogue, the historical roots of attitudes regarding architectural preservation in Russia can be revealed.

The conference is organized by Prof. Andreas Schnle at Queen Mary, University of London and Prof. Catriona Kelly at New College, University of Oxford.

For further information, including the conference programme, and registration, please see here:

http://www.sllf.qmul.ac.uk/russian/PreservationConference.htm

http://www.sllf.qmul.ac.uk/russian/Programme(05_10_10).pdf

Sponsored by New College, University of Oxford; Queen Mary, University of London; GB-Russia Society; and BASEES.

Registration by 29 October 2010.

To read more about the issues facing heritage in Russia you may be interested in two  reports published by SAVE Europe's Heritage in association with the Moscow Architectural Preservation Society (MAPS) on Moscow and Samara.

 *Strong words from UNESCO (really, this is as bad as it gets):

33COM 7B.118 - Historic Centre of Saint Petersburg and Related Groups of Monuments (Russian Federation) (C 540)

Decision Text

The World Heritage Committee,

1. Having examined Document WHC-08/33.COM/7B.Add,
2. Recalling Decision 32COM 7B.105, adopted at its 32nd session (Quebec City, 2008),
3. Regrets that the State Party did not provide a state of conservation report, or a draft Statement of Outstanding Universal Value;
4. Notes with concern, that the maps provided by the State Party define boundaries that include a significantly smaller area than that inscribed, and encourages the State Party to submit formally a significant boundary modification (according to Paragraph 165 of the Operational Guidelines) to allow the Committee to consider this issue;
5. Also notes with concern that the buffer zone proposed does not extend to encompass the landscape setting of the property and in particular the panorama along the Neva River, and requests the State Party to reconsider this buffer zone and submit it formally to the World Heritage Centre;
6. Reiterates its request to the State Party to develop, in consultation with the World Heritage Centre and ICOMOS, a draft Statement of Outstanding Universal Value, for examination by the World Heritage Committee;
7. Expresses again its grave concern that the proposed "Ohkta Centre Tower" could affect the Outstanding Universal Value of the property, and requests the State Party to suspend work on this project and submit modified designs, in accordance with federal legislation and accompanied by an independent environmental impact assessment;
8. Also expresses its grave concern about the continuous lack of a leading management system and defined mechanisms of coordination for the management of the property;
9. Also requests the State Party to invite a joint World Heritage Centre/ICOMOS reactive monitoring mission to the Historic Centre of Saint Petersburg and Related Groups of Monuments to assess the state of conservation of the property;
10. Further requests the State Party to submit to the World Heritage Centre, by 1 February 2010, a state of conservation report for the property that addresses the above points for examination by the World Heritage Committee at its 34th session in 2010, with a view to consider, in the absence of substantial progress, to inscribe the Historic Centre of Saint Petersburg and related Groups of Monuments (Russian Federation) on the List of the World Heritage in Danger at its 34th session 2010.This, and all associated documents, can be read here:

http://whc.unesco.org/en/decisions/1910

http://whc.unesco.org/en/list/540/

Russian Federation

Date of Inscription: 1990Criteria: (i)(ii)(iv)(vi)St. Petersburg regionN59 57 00 E30 19 06Ref: 540

Brief Description

The 'Venice of the North', with its numerous canals and more than 400 bridges, is the result of a vast urban project begun in 1703 under Peter the Great. Later known as Leningrad (in the former USSR), the city is closely associated with the October Revolution. Its architectural heritage reconciles the very different Baroque and pure neoclassical styles, as can be seen in the Admiralty, the Winter Palace, the Marble Palace and the Hermitage.


Nem

Monday, 4 October 2010

Cake, architecture, Edinburgh World Heritage site, poems.

The Scottish Poetry Library,  Edinburgh: Malcolm Fraser Architects

OK maybe you will disagree with the order of importance in the heading,  but Thursday 7th October 2010 is National Poetry Day.

@PoetryDayUK

http://www.nationalpoetryday.co.uk/

To mark the occasion, the Scottish Poetry Library  @ByLeavesWeLive on Twitter, which I think (well actually I know!) is my favourite post-war building, is hosting a tea party (cake!!!) at 3pm.

Tea, cake, and poetry (theme of Home) in one of Edinburgh World Heritage Site's  most iconic 20th century buildings (for the cognoscenti dahlings...) is my idea of bliss.



Cake, photo my copyright not to be reproduced without permission


I hope to be there, I hope you will be there also.

Right, the links.

Scottish Poetry Library

http://scottishpoetrylibrary.wordpress.com/2010/09/30/bookish-blog-2/

Thursday 7th October, we’ll be stopping for tea at 3pm. Although we are keen tea-drinkers, this particular tea party will be for a Higher Purpose (oh yes!) and we invite you all to join us in celebrating National Poetry Day with a cup of warming tea and a poem about our theme, ‘home.’ You can join in by coming along to our tea party at the library at 3pm, by stopping to read a poem about home wherever you are, or by tweeting @PoetryDayUK or @ByLeavesWeLive.


Postcards will be available by post from the SPL (send us a self-addressed ordinary letter size envelope with 1st or 2nd class stamp marked NPD 2010), to pick up at the SPL, and online as e-cards from 7th October. Postcards will be available from lots of other places around the country: email us at reception@spl.org.uk to find yours.

It’s been all hands on deck this week in the build up to National Poetry Day, particularly for our Reader Development Officer, Lilias Fraser, and our Education Officer, Lorna Irvine. Postcard orders for schools have now closed, resources for teachers and education professionals are up on GLOW (look for a national group called ‘poetry’) and everyone at the library would like to thank them for their hard work with a cup of tea, coffee or Earl Grey… how’s 3pm, Thursday 7th October?

Malcolm Fraser Architects

http://www.spl.org.uk/about/building.html

I look on this building as a poem that we've made together, composed from light, view, rhythm, embrace, movement, gathering, colour, texture and metaphor to express the joy of poetry, and optimism for its future within our culture.

Malcolm Fraser

Designed by Malcolm Fraser Architects, the building was financed principally by a grant from the Scottish Arts Council National Lottery Fund. The Scottish Poetry Library has won several awards, and was shortlisted for Channel 4's Building of the Year 2000.


As well as general reading and study sections, it has facilities for listening and performing, and special children's and members' areas.

http://www.malcolmfraser.co.uk/projects/?contentid=257&parentid=248


Edinburgh World Heritage

http://www.ewht.org.uk/

A national celebration of poetry in a fantastic building in one of the most wonderful of cities. All this and cake too. How much more bliss can life hold?

Nem

A selection of past posts on similar subect matter:

http://nemesisrepublic.blogspot.com/2010/02/hug-for-poetry-and-unesco.htmlunesco.html

http://nemesisrepublic.blogspot.com/2010/02/edinburgh-old-and-new.html

Wednesday, 2 June 2010

Scottish Ballet HQ wins Scottish Design Awards



Scottish Ballet HQ, Southside, Glasgow, Malcolm Fraser Architects

Yes I did consider as a heading 'bally good show' and stuff about 'grands jetes for joy' or some such, but of course ghastly puns of that sort are not really what this blog is about... she lied.

However, after the pleasure of the nomination but disappointment of no award for Malcolm Fraser Architects' Scottish Ballet HQ in Glasgow (although MFA's Infirmary Street Baths in Edinburgh won a RIBA Regional Award, as reported on the post about the building

http://nemesisrepublic.blogspot.com/2010/03/making-splash.html

- how is Scotland a Region I wonder?)

I am delighted to report that not only did Scottish Ballet HQ win the Best Public Building category in the Scottish Design Awards, but also the overall 'big' award, best of the best, the Architecture Grand Prix. Considering the strength of the entries, not limited to buildings in Scotland, this is an outstanding achievement, particularly so given the major expertise of the judging panel, who could clearly see beyond the fact this isn't silly shapemaking, or 'iconic' tower, but something totally original, thoughtful, clever and a building which above all works and is loved by those who commissioned it and use it.

Why am I so delighted? Well, regular readers will appreciate I have been singing its praises in several blogs, so it's good to have my own obviously exquisite architectural taste backed up by others who clearly know a bit about buildings. 

A small sample of past posts about this:

http://nemesisrepublic.blogspot.com/2010/01/on-being-industrious.html

....The other dates from 2009, one century later, and on the outside is frankly quite industrial looking, albeit fittingly and elegantly so, in the context, a modern interpretation of ‘wrinkly tin’, and factory style saw toothed roof, an addition to an existing re-use of a historic tramshed in Glasgow...

and:

http://nemesisrepublic.blogspot.com/2010/03/pointe-of-interest.html

from which there are a number of links to sources of information, pictures etc.

Also:

http://nemesisrepublic.blogspot.com/2009/12/joyeux-noel.html


Here's Malcolm Fraser Architects' own site:

http://www.malcolmfraser.co.uk/projects/?contentid=268&parentid=248

and many pictures and info here:

http://www.glasgowarchitecture.co.uk/scottish_ballet.php

As reported in Building Design today:

The annual awards, presented in Glasgow last Friday, were judged by an architecture panel chaired by Roger Zogolovitch.

Judges included Simon Allford, Renato Benedetti, Professor David Dunster and directors from Adams Kara Taylor, Eric Parry, Tony Fretton, Pascall & Watson, Hopkins and Feilden Clegg Bradley.

Graeme Massie was awarded Architect of the Year and the awards for place making and public realm, while Tom Elder and Dick Cannon of Elder & Cannon were given a lifetime achievement award.

Groves-Raines architects were awarded the Chairman’s Award for Architecture for a £22,000 composting shed.

Full list of nominations and awards here:

http://www.thedrum.co.uk/events/70-scottish-design-awards-2010/categories/

On the architecture side, the Grand Prix went to Malcolm Fraser Architects for Scottish Ballet at the Tramway. Judge Gerry O’Brien from Adams Kara Taylor said this was a worthy winner as “The circulation is good; it’s grappling with many complexities. It’s one of the most pleasant spaces you could find, all the people in there loved it to death despite a difficult urban locale.“

BBC:

http://news.bbc.co.uk/1/hi/scotland/10184742.stm


Pic of new Scottish Ballet HQ, Glasgow, courtesy of here: http://www.scottishballet.co.uk/whats-on/current-productions/doors-open-days/doors-open-days.htm


Scottish Ballet:

http://www.scottishballet.co.uk/news/current-news/scottish-design-awards.htm

Scottish Ballet is delighted that its new national headquarters, designed by Malcolm Fraser Architects, has received two prizes at the prestigious Scottish Design Awards: BestPublicBuilding and the Architecture Grand Prix.

Speaking at the Scottish Design Awards ceremony on Friday 28th May, one of the judging panel, Gerry O’Brien from Adams Kara Taylor, said “It’s one of the most pleasant spaces you could find. All the people in there loved it.”

Scottish Ballet’s Chief Executive, Cindy Sughrue, added: “I’m thrilled that Malcolm Fraser Architects have received the recognition they deserve for designing a truly wonderful building. It has completely transformed how we work.”

Review from Architecture Today:

http://www.architecturetoday.co.uk/?p=693

A century ago, also in Glasgow, Charles Rennie Mackintosh adopted JD Sedding’s motto, ‘There is hope in honest error, none in the icy perfections of the mere stylist’. Malcolm Fraser Architects’ achievement at the Scottish Ballet has been to discover an underlying order in a complex programme and to express this in a simple, but appropriate language. There is no artifice, just honest attention to the client’s needs transformed by sound architectural judgement.

A blast from the past, an article from 2007;  possibly Malcolm  Fraser, currently Geddes Honorary Professorial Fellow at Edinburgh Uni School of Architecture and Landscape Architecture, can now be seen to be a 'leading' architect full stop, and not simply  'one of Scotland's leading architects', good though that is?

http://www.telegraph.co.uk/culture/art/3662218/A-dance-to-the-music-of-light.html

"I was a late starter, but maybe there's a virtue in taking your time about these things. It took time to discover my confidence. But now I see that the wonderful thing about being an architect is knowing that wherever you are, there are people in your buildings, enjoying them. That's the joy."

Indeed. I spent some time in one of Malcolm Fraser's most loved buildings, the Scottish Poetry Library, last weekend, with a group of other very appreciative people;  it was indeed a joy.

Nem

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Sunday, 16 May 2010

Angry men: Crap housing, our cash, VAT, communities, rubbish architecture, urban renewal and all that jazz.


Diddy boxes



Of, if only things had improved since Pete Seeger sang that, so many years ago!




It's been an interesting weekend in the press, architecturally speaking.

First, we have the magnificently eloquent Scottish architect and writer  Malcolm Fraser (Republic passim, including the very recent post on the Madelvic Factory demolition

http://nemesisrepublic.blogspot.com/2010/04/dont-destroy-madelvic-factory.html )

on gobons and government payouts for crappy housing, VAT iniquities, empty homes and stuff in the Herald, expanding what he said recently in Building Design, as reported on Archibollocks,

http://archibollocks.blogspot.com/2010/04/gobbing-on.html



and I hope he'll not make a fuss if I repeat it all here :

http://www.heraldscotland.com/business/markets-economy/scotland-should-aim-higher-than-clusters-of-urban-lumps-complete-with-useless-gob-ons-1.1027961

Scotland should aim higher than clusters of urban lumps, complete with useless ‘gob ons’

Malcolm Fraser

May 16th

Little fanfare greeted the recent announcement that Scotland’s beleaguered volume housebuilders were to receive a £130 million boost from the Scottish Government’s new “National Housing Trust”.

Given the transformative potential of the scheme, this lack of attention is baffling.

The move follows plans in England to boost the housing sector through the “Kickstart” programme, and First Minister Alex Salmond’s own promises to business leaders to fund “shovel-ready” development in Scotland.

These are the same housebuilders that mass-produce homes that are, according to architecture writer Jonathan Glancey “… a blight on the landscape, a stain on our collective soul, a national disgrace”.

Even Gordon Brown, in the final election debate, admitted that volume housebuilders “… have really not served us well in this country”.

In that final leaders’ debate Lib Dem leader Nick Clegg uttered the unfashionable words: “council houses”. From sub-prime to credit-bubble, the banking and housebuilding industries were intertwined, and went down the pan together. The Brown Government borrowed hugely to bail out the banks without requiring them to improve their service. Skating over their own part in encouraging the hubris that led to massive failure the Government simply begged the banks to take our money and go back to business-as-usual.

The Scottish Government appears to be following Westminster, in doing a similar back-to-business-as-usual, no-strings-attached bailout for our housebuilding industry.

It is worth pondering what, exactly is the state of the house-building industry that is to be bailed out – and what sort of development will the volume housebuilders be expected to have “shovel-ready”?

Their new homes tend to fall into one of two categories: suburban diddy-boxes, car-dependent and decorated by the sort of pediments, half-timbering and carriage lamps that the industry itself, revealing their contempt for the public, refers to as “gob-ons”.

Their other type is always branded “stylish urban living”, meaning lumpen flats with bolted-on, sticky-out “Juliet” balconies jutting into our bitter winds and car fumes.

Alex Neil, the Scottish Government’s housing minister, responded to my concerns over quality, published in the architectural press, by assuring doubters that, to qualify for a bail-out, the Government “…are likely to require that all proposed homes meet, at the very least, the 2007 Scottish Building Regulations”

Big deal! So the only requirement for those diddy boxes and urban lumps is that they are “likely” to meet the bare, lowest minimum technical standard. The bar could hardly be lower, and my heart sinks at the dismal poverty of our aspirations.

As if this wasn’t bad enough, while the housing minister’s civil servants channel our money to such unworthy recipients, whole other armies of civil servants – in the Planning Directorate, the Architecture & Place Policy Unit and our built environment design quango, Architecture + Design Scotland – have no powers to do more than look on aghast. Established and paid for out of the public purse to raise the woeful quality of new housing in Scotland, this bailout bypasses them.

In their own initiatives they have, however, aimed very low. The planning regime in Scotland follows the “New Urbanist” orthodoxy that starts as a laudable concern for the values of traditional urban settlements. But I fear that under this banner the Scottish Government merely collaborates with housebuilders to devise better “gob-ons”, and make the roads through housing estates a bit more wiggly.

What might we better achieve with all this public mone

Well, in that final leaders’ debate Lib Dem leader Nick Clegg uttered the unfashionable words: “council houses”. Perhaps if we set-aside our prejudiced stereotyped idea of grimy estates, decent quality council houses are exactly what we should be spending public money on.

Clegg also raised the issue of VAT. Newbuild is zero-rated, but repair and renewal attracts the full 17.5%. This hugely tips the balance towards greenfield building sites, and away from refurbishing our existing stock. There are hundreds of thousands of empty properties lying vacant in our towns and cities

Readjusting VAT to encourage the repair of these would deliver more homes for every pound invested, fortify existing communities, reduce car-dependency, and create more jobs (repair being more labour-intensive).

And when we do build new homes we should be talking about what actually creates communities – not pediments and wiggly streets, but awareness of sunshine, south-facing living rooms that open into gardens, public places for our kids to play and places to meet, and engage with, our neighbours.

Why is it that we can’t we build communities based on these simple, humane priorities?

Malcolm Fraser is founder of Edinburgh’s Malcolm Fraser Architects http://www.malcolmfraser.co.uk/and a former deputy chairman of Architecture + Design Scotlandand

Then yesterday a terrific Jonathan Glancey article in the Guardian on the late and greatly lamented Ian Nairn, and good that he mentioned the writers who are behind:

Bad British Architecture @Ghostof Nairn

http://badbritisharchitecture.blogspot.com/

and @tragedyhatherle of Urban Trawl in Building Design  and Zero Books various (including Militant Modernism) amongst other writing:



http://nastybrutalistandshort.blogspot.com/


Here it is:

http://www.guardian.co.uk/artanddesign/2010/may/15/architecture-ian-nairn


Ian Nairn's voice of outrage...

His attacks on the banality of Britain's postwar buildings made Ian Nairn an inspiration for a generation of architectural critics. Jonathan Glancey celebrates the scourge of 'subtopia'...

look forward to the video articles mentioned....

and Gavin Stamp, Private Eye's Piloti

a review of his Britain's Lost Cities by Nicholas Lezard:


http://www.guardian.co.uk/books/2010/may/15/britain-lost-cities-gavin-stamp


It may be a truism that this country lost more buildings to town planners than to the Luftwaffe, but it is still worth mentioning. Here are 180 pages, each illustrated with one or more photographs, which document what can only be a fraction of the buildings and vistas we have lost.

Stamp quotes a recent conclusion, regarding Hull, but it applies everywhere:

 "What has gone are the accents of the cityscape, the varied shapes, textures and materials, the undoubted wealth of craftsmanship, the unexpected or bizarre incident; items that there is now no way of matching, for neither money nor skills are forthcoming."


This is, in short, a very depressing book – but one that is wholly necessary...

Which ,basically, brings me back to Malcolm Fraser:



Leith, Edinburgh, Western Harbour Development

and of course the splendid Blogger Dave Thompson, @auchterness:

I'm deeply privileged today to write a review of one of Scotland's greatest success stories of visionary planning and property development. It's a veritable dripping roast of invention and superlatives, truly the eastern equivalent of Glasgow Harbour in every way. The team that did the astonishing breakthrough thinking on this one are Forth Ports (who kindly donated the land), Turkey Associates and RMJM, they of the recent heroic failure at Custom House Quay in Glasgow. One word - wow!


You know, it's sometimes hard to take in the sheer comprehensive brilliance of some projects - the diamond sharp intellectual endeavour, the world class parametric design work not to mention the streetwise nous that can turn a derelict area into a thriving community of beautiful houses, shops and parks all wrapped up into one of the finest urban development frameworks you will see around Edinburgh since Wester Hailes was but a twinkle in a planner's eye. Recently a member of the Prince's Foundation described it as being, 'as good as Sierra Leone'. That's praise indeed coming from a world traveller and member of the Royal Family - a total pat on the back for Forth Ports and for Turkey Associates, a real feather in their cap....

Read on:

http://auchterness.blogspot.com/2009/10/granton-and-leith-docks-epicentre-of.html

Oh yes, Brave New World:




Watch the movie and weep. 

Nem (angry but female).






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Saturday, 6 February 2010

'Edinburgh, Old and New'

Symson the Printer's House, Edinburgh (click to enlarge) http://commons.wikimedia.org/wiki/File:Jane_Stewart_Smith03.jpg

This morning I was browsing the Capital Collections website and this entry caught my eye:

http://www.edinburgh.gov.uk/capitalcollections/mfraser/mfraser.html

I don't altogether agree with Malcolm Fraser that we 'traditionalists' should all be lumped together as naysayers, and some of us do have a little idea of the history of construction and the wide variety of architectural styles and forms that existed in the past (and Malcolm, your beautiful, intelligent, award winning Scottish  Poetry Library didn't get the thumbs down did it? It has that similar vigour and the sense of accretion...) although I won't argue that certain recent additions to the glorious city of Edinburgh are not all that we might wish.  Today, I'll be kind and not name too many names.

http://www.edinburgharchitecture.co.uk/scottish_poetry_library.htm (thumbnails - click to enlarge pics)

http://www.spl.org.uk/

Scottish Poetry Library, Edinburgh, pic credit MFA http://www.malcolmfraser.co.uk/projects/?contentid=257&parentid=248

See also * bottom of post

However, I thought I would do a short blogpost to bring to the attention of  those unaware of its existence,  the online website Edinburgh Old and New


from which the above image is taken (click to enlarge).

Cassell's Old and New Edinburgh by James Grant was printed as a periodical in the 1880s and is now seen as a set of three or six volumes, and describes its history, its people, and its places by using anecdotal historical text with endless illustrations. These volumes were a gift from my uncle, Bill Smith. As someone who has lived in Edinburgh for more than 50 years, the illustrations still thrill and excite me no matter how often I look at them. For this reason I wanted to put them online in such a format that Edinburgh school children and students might easily download the images or text whilst researching the history, architecture, society of Edinburgh's Old or New Towns.

—Hamish Horsburgh

Thank you Hamish Horsburgh, for that fine and generous thought; I have derived so many hours of pleasure from browsing and hope others will also.

Here is the link:

http://www.oldandnewedinburgh.co.uk/

That's not the sole pleasure from that site; there's a link to other digitised books:

You can now browse and search the complete collection of John Kay's Original Portraits and Caricature Etchings, Memorials of Edinburgh in the Olden Time, and Edinburgh Past and Present on the Edinburgh Bookshelf

http://www.edinburghbookshelf.org.uk/

and a list of other useful links:

http://www.oldandnewedinburgh.co.uk/links.php



(click to read)

Another website full of useful and fascinating information, including the House Histories news and a number of podcasts, is that of Edinburgh World Heritage, although it takes a wee while to find all the treasures hidden there:


Here's a small sample:





and further links:


including one to where this all began:




And of course there is this:


and the excellent photographs here:


and here:


and



For further reading, I recommend Hamish Coghill, Lost Edinburgh:



I steal this poem from the website of Valerie Gillies, a past Edinburgh Makar, in the hope she won't object as it seems so fitting here:


It was written on the occasion of the opening of the new Edinburgh District Council building, Waverley Court, in 2007 (of which building the least said the better...)

To Edinburgh

Stone above storms, you rear upon the ridge:

we live on your back, its crag-and-tail,


spires and tenements stacked on your spine,

the castle and the palace linked by one rope.


A spatchcocked town, the ribcage split open

like a skellie, a kipper, a guttit haddie.


We wander through your windy mazes,

all our voices are flags on the high street.


From the sky’s edge to the grey firth

we are the city, you are within us.


Each crooked close and wynd is a busy cut

on the crowded mile that takes us home


in eden Edinburgh, centred on the rock,

our city with your seven hills and heavens.



Happy reading!

 
Nem

*PS More poetry: Carry a Poem  http://carryapoem.com/  Great stuff happening in Embra this month! @carryapoem on Twitter

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Monday, 1 February 2010

Elizabeth Pascoe is finally evicted



Update 5th February: Architects' Journal :

http://www.architectsjournal.co.uk/news/daily-news/-cabe-still-critical-of-pathfinder-scheme-despite-latest-revisions/5213863.article?referrer=RSS

and update 9th Feb to add this website:

http://www.housingmarketrenewal.com/links-and-publications.php


Sorry but there is no other word for it, it is eviction, and I feel so very sad.

Here is the latest news, and I took the above picture from here also, and duly credit Mr Bartlett with it and hope he doesn't mind me re-using it:

http://blogs.liverpooldailypost.co.uk/dalestreetblues/2010/02/edge-lane-campaigner-elizabeth.html

Not a lot more to be said, other than to send Elizabeth sympathy, and ask that people reading this read these links:

My past blog, with Elizabeth's own description of what she has gone through:

http://nemesisrepublic.blogspot.com/2009/04/two-heroines-against-pathfinders.html

with links to further sources of information (including Adam Wilkinson's damning report for SAVE) and a Commons Select Committee report.

Here is the BEVEL website, with so much more information and videos, including Elizabeth's 'farewell to a home' party:

http://www.edge-lane.info/ 

 I appreciate this is getting to be a habit, but here's a blast from the past, Malcolm Fraser in Building Design, and I absolutely agree with him:

http://www.bdonline.co.uk/story.asp?sectioncode=427&storycode=3051676

Pulling down houses is not sustainability

27 May 2005

The Pathfinder programme — government investment of £2 billion over the next 15 years to revitalise nine northern English urban areas — ought to be magnificent news.

 By Malcolm Fraser

Having lived through the urban catharsis of the late 20th century — institutionalised contempt for the built environments we inherited, followed by a reactive timidity towards them — we must have learned by now how to take a good, balanced view of renewal.

We might start by looking at the resources we have inherited, namely a mix of industrial and residential. Patrick Geddes’s concept of “conservative surgery” is an excellent tool here — the idea that you repair, alter or conserve the best of the urban fabric while introducing open space and new buildings in place of the poorer.

You might imagine that such “surgery” would be unlikely to involve the demolition of Victorian terraced homes, which represent a huge resource, in both social and physical terms, embodying enormous energy — in both the cultural and kilojoule sense. That the Pathfinder programmes are threatening between 200,000 and 400,000 of them with demolition demonstrates that something has gone massively, even obscenely, wrong.

The scale is staggering, the obscenity both in the detail (people who love their houses being moved out) and at a city-wide scale. In Liverpool, for example, the proposed demolition of 20,000 homes has an unhappy symmetry with the 20,000-person waiting list for social housing.
That there is failure in these run-down areas is indisputable: but it’s a failure of employment and the spread of wealth, of social housing policies that blight whole areas, of perception and context. To blame this on the buildings in these areas is crazy — especially when those buildings are such successes elsewhere.

Their demolition is supported by the standard government view that big, physically dramatic acts, and big business and construction interests are preferable to the sort of small-scale repair and renewal programmes that involve small spends, and small builders, architects and landlords.

The iniquitous VAT regime where 17.5% tax penalises repair and renewal over demolition and new-build of course skews all analysis of the value of our built heritage. But even here the economic benefits of small-scale renewal are so clear that it doesn’t dent the basic case — as demonstrated on ITV’s Tonight Special, where a “derelict”, “failing”, “surplus” terraced house was transformed into a modern, open, insulated home for £18,000, matching the cost of its proposed demolition and way cheaper than a £100,000 replacement.

Such makeovers represent one approach. The comprehensive nature of the Pathfinder programmes should allow us to look at others that combine or subdivide individual properties to achieve market diversity.

But the post-war regeneration-by-wrecking-ball model remains, albeit disguised by buzzwords and doublespeak where “slum clearance” programmes are rebranded as “sustainable communities”.

But the biggest crime is against the idea of sustainability, its apparent high moral authority abused to justify the wrecking ball. It’s a mystery that sustainability seems only ever to be expressed in terms of new building, rather than as a complete analysis of the costs and benefits. And it’s a disgrace that this has cast heritage bodies — arguing here for a proper audit of the resources offered by our built environment — as somehow anti-sustainability.

The greater truth in all this, that clarifies and guides all others, is that “conservation” and “sustainability” are not separate boxes to tick, not at war with each other, but are, properly applied, one and the same thing: a view of the world we have inherited as a resource that needs treating with care and respect.


Malcolm Fraser is principal of Malcolm Fraser Architects http://www.malcolmfraser.co.uk/

and I hope all right thinking people agree also. That's not the government of course, whose Big Idea all this was...  (based on the most flimsy of evidence 'Housing Market Renewal' of this nature would work)

...and clearly not certain of the fuckwits who post comments* on the Liverpool Echo site, but you have to wonder at man's inhumanity to (wo)man and try to forgive their stupidity, although I'm finding it difficult. (*Update... I note the worst  comments have been removed... thankfully.)

http://www.liverpooldailypost.co.uk/liverpool-news/regional-news/2010/02/01/liverpool-edge-lane-campaigner-forcing-me-to-leave-my-home-is-a-violation-92534-25730351/





Nem

Postscript: Another relevant post: http://nemesisrepublic.blogspot.com/2010/01/seeing-red.html

and another eviction:  http://www.msa.mmu.ac.uk/continuity/index.php/2007/11/19/nina-edge-nothing-is-private/


and a further example of pointless destruction and a split community: 

http://www.savebritainsheritage.org/news/article.php?id=54



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